The cause of the variance here lies with the anti-aliasing techniques used on each format, with different forms of post-process edge-smoothing subtly changing the look of each version of the game. Texture detail and especially foliage tends to get blurred a little more on PlayStation 3, reducing the clarity and crispness of the artwork. Use the full-screen button on the bottom-right of this window for full 720p resolution.įirstly, both console versions of Hitman: Absolution render natively in 720p, although we do find that the game looks a little sharper on the 360. 'Image quality is clean on console with the chosen post-process anti-aliasing techniques providing the most noticeable point of difference between 360 and the PlayStation 3.' Hitman: Absolution compared on Xbox 360 and PlayStation 3. So far so good, but how well does Hitman: Absolution's share of technical achievements fare across multiple platforms? Let's start with the requisite head-to-head videos covering both console versions and the PC edition, backed up by a comprehensive triple-format comparison gallery.

From crowded town centres to packed rush-hour train stations, Agent 47's actions directly affect those around him - a quick showing of firearms shocks surrounding individuals, while witnessing gunfire and hand-to-hand combat sends them fleeing in panic. On top of this, the other main change comes from the Glacier 2 engine's ability to render hundreds of characters on-screen at any given point, creating some densely populated environments in parts of the game.

The lighting model is also engineered using deferred shading techniques, allowing for many more dynamic lights in any given scene compared to IO's previous work. For one, IO eschews the 60Hz gameplay of its last title, instead targeting a 30FPS update in line with most other titles this generation, while a more subtle version of the grain/noise filter used in Kane and Lynch 2 gives Hitman: Absolution a grittier look.

Powered by IO Interactive's new Glacier 2 engine, Hitman: Absolution builds upon some of the artistic and technical choices of the older Kane and Lynch titles while making dramatic changes to the rendering set-up in a number of areas. It's been six years since we last saw Agent 47 in action in the entertaining Hitman: Blood Money, with creators IO Interactive temporarily putting the series on hold to work on its mostly forgettable Kane and Lynch titles.

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